On a flying visit to his native Dublin, freelance journalist Philip O'Connor, the man behind his own media blog and podcast, the wonderfully titled Our Man In Stockholm, dropped by for the tenth media-savvy Off Message podcast. We chewed the fat on his attempt to crowdfund much of his journalism income, how he uses social media to generate work, his often outspoken tone online, his unique and unusual route into journalism, and loads more.
Dealing with the musical chairs of changing commissioning faces is part and parcel of being a freelancer pitching ideas in the media. Here in Ireland such cross-network, -station, -site or -publication movement is relatively rare but in bigger media markets it’s so frequent as to be expected. When it happens it has both its pros and cons.
Christmas may well be the season for giving but in the particularly unforgiving media business rejection happens all year round; and the festive season is no exception. Dealing with all this negativity successfully is vital if you want to stay the pace.
The other day I had the most unexpected – and more than a little frightening – thought: I wondered if coming home was a mistake. I spent 11 years in London, returning to Dublin in 2009 when RTÉ commissioned a TV idea I'd had. It got me thinking about the pros and cons of my return.
When freelancing work dries up (or at least goes eerily quiet for a while) you’re forced to get your pitching mojo back on. Which is where I’m at right now, partially because of Brexit, surprisingly enough. And whatever the outcomes it’s the waiting that kills you.
As I left RTÉ last week at the end of another long run there I was very aware that I hadn’t a gig lined up to go to anywhere else anytime soon. Oddly I wasn't too worried, which as a freelancer is a very weird feeling.